Blue Note

Lisätiedot 

Lisätiedot 

'Joy'All', the fifth solo album from Jenny Lewis and follow up to 2019's critically acclaimed 'On The Line', finds the singer-songwriter embarking on a new era in a new town. 'I started writing some of these songs on the road, pre-pandemic... and then put them aside as the world shut... 

Lisätiedot 

Alfred Lion’s inspired idea to pair tenor saxophonist Stanley Turrentine with The Three Sounds—the trio featuring pianist Gene Harris, bassist Andrew Simpkins, and drummer Bill Dowdy—on 1960’s Blue Hour produced one of most deeply soulful hard... 

Tenor saxophonist Hank Mobley was at the peak of his powers throughout the early 1960s as he produced a staggering run of hard bop classics including Soul Station, Roll Call, Workout, No Room For Squares, and The Turnaround. Recorded in 1961, Workout was an energetic quintet outing... 

Recorded in 1955 for producer Tom Wilson’s short-lived Boston-based label Transition Records, Byrd’s Eye View was trumpeter Donald Byrd’s first issued recording as a leader. The date presented Byrd at the helm of what was then the current line-up of The Jazz Messengers with... 

Vibraphonist Bobby Hutcherson was a defining feature of the sound of Blue Note Records throughout the 1960s, equally at home in hard bop, soul jazz, and avant-garde settings. His 1968 album Total Eclipse was the vibraphonist’s first recording to feature tenor saxophonist and... 

The crystalline sound of Bobby Hutcherson’s vibraphone was an essential element of a broad range of Blue Note albums throughout the 1960s, spanning the stylistic spectrum from the hard bop of Grant Green’s Idle Moments to the post-bop of Joe Henderson’s Mode For Joe... 

Following the release of his 1965 masterpiece Maiden Voyage, the brilliant pianist Herbie Hancock wouldn’t record his Blue Note follow-up until 1968 with the innovative classic Speak Like A Child. The album was a showcase of several aspects of Hancock’s artistry: as... 

Melissa Aldana’s 2nd Blue Note album Echoes Of The Inner Prophet is a musical voyage to explore the depth of the spiritual journey. Co-produced by Aldana and Lage Lund, the album features the tenor saxophonist with Lund on guitar, Fabian Almazan on piano, Pablo... 

Guitarist Bill Frisell’s new double LP Orchestras documents two inspired concert-hall engagements arranged by Michael Gibbs for Frisell’s long-standing trio with bassist Thomas Morgan and drummer Rudy Royston: one featuring the nearly 60-piece Brussels Philharmonic, conducted... 

The Saxophone Colossus Sonny Rollins had already recorded three Blue Note studio dates for Alfred Lion—Sonny Rollins, Sonny Rollins, Vol. 2, and Newk’s Time—by the time he walked down the stairs of the Village Vanguard on November 3, 1957 to record his... 

Taylor on bass, and Roy Brooks on drums. The core of the band had been together since 1959 and recorded hard bop classics like Finger Poppin’ and Blowin’ the Blues Away, with Brooks joining in 1960 on Horace-Scope. The program on Silver’s Serenade consists of five... 

The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark Blue Note recordings including Herbie Hancock Empyrean Isles, Eric Dolphy Out To Lunch, Andrew Hill Point Of Departure, Jackie McLean... 

Guitar virtuoso Julian Lage returns with Speak To Me, his remarkable 4th release for Blue Note Records following his acclaimed album View With A Room and it’s GRAMMY-nominated companion piece The Layers. Speak To Me finds the guitar virtuoso broadening his sonic palette with... 

Blue Note legends like Grant Green, Horace Silver, and Jimmy Smith often looked to the church for musical inspiration, but trumpeter Donald Byrd presented A New Perspective with his magnificent 1963 album for band and voices which wove the essence of spirituals into modern... 

The legendary trumpeter Miles Davis was still near the beginning of his storied career when he cut the three sessions that comprise his Blue Note recordings in 1952, 1953, and 1954. In the late 1940s, Miles had been a member of Charlie Parker’s quintet and Dizzy Gillespie’s big... 

Acclaimed vibraphonist Joel Ross returns with his remarkable fourth Blue Note release nublues, an album of blues and ballads as refracted through the prism of one of the most creative modern jazz groups of our time. Communication is a key element of the album; both the communication between... 

Alto saxophonist Jackie McLean’s 1960s output ran the gamut from hard bop to the avant-garde with his 1964 post-bop dates It’s Time! and Action splitting the difference. Trumpeter Charles Tolliver had appeared alongside McLean in the horn frontline on It’s Time! and returned once... 

Following sideman appearances with pianist Horace Parlan in the early 1960s, Booker Ervin cut two stellar Blue Note records as a leader in 1968 including Tex Book Tenor which had to wait nearly 40 years until 2005 for its first standalone release. With a sleek post-bop quintet... 

On March 8, nine-time GRAMMY winning singer, songwriter, and pianist Norah Jones will release her ninth solo studio album Visions, a collaboration with producer and multi-instrumentalist Leon Michels that is introduced today with the official video for the album’s lead single “Running.” The... 

Unsettled by the state of the world in 2020, Charles Lloyd began conceiving of a musical offering in the form of a new studio recording featuring a new band, a quartet that would be a first-time convening of four distinctive voices with the legendary saxophonist... 

Two months after recording what would become his hit record The Sidewinder, trumpeter Lee Morgan returned to Van Gelder Studio in February 1964 to create his masterful album Search for the New Land. For the session Morgan assembled a sextet consisting of several young... 

Tenor saxophonist Joe Henderson capped off his run of five sublime 1960s Blue Note leader dates with his 1966 classic Mode for Joe, an album bursting with vigor and vitality that found Henderson expanding his palette with a septet of colorful figures including Lee Morgan on... 

Miami-born trumpeter Blue Mitchell had a soulful, swinging style that was equally at home in jazz, R&B, and funk settings. Mitchell been a sideman on Blue Note sessions led by Lou Donaldson, Jimmy Smith, Jackie McLean and appeared on numerous classics as a member of the Horace... 

The acclaimed Cleveland-born saxophonist Joe Lovano came to Blue Note Records in 1990 and over the next 25 years became one of the most recorded artists in the label’s history, building a formidable and far-ranging catalog that explored the full breadth of... 

The incomparable trumpeter Clifford Brown’s star was just starting to ascend when he recorded two sessions as a leader for Blue Note in 1953 — a co-led quintet date with alto saxophonist Lou Donaldson and a sextet date under his own name — that were later compiled on... 

The amazing bebop piano genius Bud Powell made his most enduring recordings as a leader for Blue Note and was a catalyst for moving the label from the hot jazz it was founded on into the modern music being made by Powell, Thelonious Monk, Fats Navarro, and others. Powell’s... 

After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings—Puttin’ It Together and The Ultimate—both featuring... 

Alto saxophonist Lou Donaldson hadn’t recorded for Blue Note since 1963 when he returned to the label in 1967 and began a new chapter in his lengthy career. Sweet Papa Lou had helped lay Blue Note’s soul jazz foundation alongside Hammond B3 organists including Jimmy... 

Grant Green began his lengthy and prolific Blue Note career with the 1961 release of his debut album Grant’s First Stand, a stellar soul jazz outing that featured the guitarist in an organ trio with Baby Face Willette on Hammond B3 and Ben Dixon on drums. When he returned to... 

Sonny Rollins first appeared on a Blue Note recording session in 1949 as part of Bud Powell’s Modernists during a period when the saxophonist was coming up on the scene and cutting his teeth alongside bebop innovators including Thelonious Monk, Charlie Parker, and Miles Davis. After... 

The trio of guitarist Grant Green, organist Larry Young, and drummer Elvin Jones had a unique alchemy from the first time they got together on Green’s 1964 album Talkin’ About. A couple months later the trio reconvened as a quartet with vibraphonist Bobby Hutcherson... 

McCoy Tyner looked towards Africa on his stunning 1970 album Extensions, a far-reaching exploration of Black identity that marked the masterful pianist’s fifth recording for Blue Note Records. After leaving John Coltrane’s band Tyner had moved from Impulse to Blue Note and... 

In addition to appearing as a sideman on dates led by Kenny Burrell, Freddie Hubbard, and Jackie McLean, tenor saxophonist Tina Brooks recorded several of his own Blue Note sessions as a leader between 1958-61. However, only one would be released during Brooks’ too-brief lifetime, the... 

1964 was a pivotal year in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. That summer he would join the Miles Davis Quintet, cementing... 

How ‘bout another film? After Rollin', here’s Truffaz again with Clap!, the second installment in his cinema stories, repeating the miracle of substituting his own images for those conjured up by the original soundtracks. Or, as director Bruno Nuyten puts it: “Beyond the memories... 

Kenny Burrell had been recording for Blue Note less than a year when he entered Rudy Van Gelder’s Hackensack, New Jersey studio in February 1957 for his 3rd session as a leader for the label. The date presented the guitarist’s signature stylings with a crack team of hard... 

The Chicago-born pianist and composer Jack Wilson enjoyed a wide-range of musical associations including work with the likes of Dinah Washington, Sarah Vaughan, Lou Rawls, Gerald Wilson, Roy Ayers, and recording leader dates for Atlantic before he made his Blue Note debut in... 

The 1961 album Mosaic marked a pivotal moment in the story of Art Blakey & The Jazz Messengers with the drummer welcoming the arrival of trumpeter Freddie Hubbard (replacing Lee Morgan) and pianist Cedar Walton (replacing Bobby Timmons). The band also expanded to... 

In addition to boasting one of Reid Miles’ greatest album cover designs, Hank Mobley’s 1963 album No Room for Squares is also a marvel for the music alone. The tenor saxophonist had already notched several hard bop masterpieces in his Blue Note belt including Soul... 

Jackie McLean’s music weaved in and out of the avant-garde throughout the 1960s with the brilliant 1963 inside-out dates One Step Beyond and Destination… Out! eventually leading to full-throated free jazz of the 1967 dates New and Old Gospel (featuring Ornette Coleman on... 

Herbie Nichols was one of the most original pianists and composers in Jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before... 

It’s a testament to Jimmy Smith’s volcanic creativity that the Hammond B3 organ firebrand recorded not one but two soul jazz classics—Midnight Special and Back at the Chicken Shack—in a single day when he entered Van Gelder Studio on April 25, 1960 with Stanley Turrentine... 

The Horace Silver Quintet of 1959 was a hard bop juggernaut featuring the great pianist and composer with trumpeter Blue Mitchell, saxophonist Junior Cook, bassist Gene Taylor, and drummer Louis Hayes. The band had already cut the excellent album Finger Poppin’ earlier... 

Between 1964-1967 the legendary saxophonist and composer Wayne Shorter created a treasured and deeply influential body of work within the acoustic jazz tradition with classic... 

Blue Note’s roster of Hammond B3 organists was a vibrant and varied bunch that ran the stylistic gamut from Jimmy Smith’s virtuosic innovations to Larry Young’s horizon-expanding... 

Acclaimed saxophonist Joshua Redman makes his Blue Note debut with where are we, his first-ever vocal project which features vocalist Gabrielle Cavassa, pianist Aaron Parks, bassist Joe Sanders, and drummer Brian Blade plus special guests Nicholas Payton on trumpet, Kurt Rosenwinkel... 

The intrepid free jazz pianist Cecil Taylor produced some of his best work for Blue Note Records, including his explosive 1966 label debut Unit Structures featuring Eddie Gale on trumpet, Jimmy Lyons on alto saxophone, Ken McIntyre on alto saxophone, oboe, and bass clarinet, Henry... 

The precocious and prodigious drummer and composer Tony Williams had already participated in numerous landmark Blue Note recordings including Herbie Hancock's Empyrean Isles, Eric Dolphy's Out To Lunch, Andrew Hill's Point Of Departure, Jackie McLean's One Step Beyond, and Grachan... 

Just two months after recording his exceptional sextet date Cornbread, the prolific trumpeter Lee Morgan was back in Van Gelder Studio in November 1965 with a slightly slimmed down—but no less robust—quintet line-up to record his next session Infinity, which wouldn’t be first... 

Perhaps the perfect starting point for a reappraisal of Duke Pearson’s underrated career is his fantastic and aptly titled 1967 album The Right Touch. The album stands as perhaps the finest in Pearson’s discography and is a showcase of his sublime talents as a pianist, composer, and... 

There may not be a more apropos album title in all of recorded music than tenor saxophonist Ike Quebec’s 1961 classic Heavy Soul. The session marked a comeback for a crucial player in Blue Note history. Quebec had recorded a series of 78s for Alfred Lion in the 1940s and also... 

One of the funkiest and most creative organists of all time, Dr. Lonnie Smith was first brought into the Blue Note fold by alto saxophonist Lou Donaldson who featured the B3 virtuoso on late-1960s soul jazz classics including Alligator Bogaloo, Mr. Shing-a-Ling, and Midnight Creeper. Smith... 

The supremely swinging pianist Sonny Clark hit the Blue Note scene in 1957 with a burst of creativity recording three albums in three months including the sublime Sonny Clark Trio, a 6-song set of bebop themes and standards featuring bassist Paul Chambers and drummer Philly... 

Tenor saxophonist Hank Mobley had been recording for Blue Note for a decade when he made his excellent 1965 album A Caddy for Daddy featuring a first-class sextet with Lee Morgan on trumpet, Curtis Fuller on trombone, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy... 

More than a dozen albums into his Blue Note tenure, Donald Byrd’s 1967 date Slow Drag would be one of the last pure hard bop sessions that the reliably brilliant trumpeter would cut before his music began evolving towards fusion. Byrd flies high on this highly gratifying set... 

The great pianist McCoy Tyner made his Blue Note debut with The Real McCoy in 1967 soon after departing John Coltrane’s quartet and returned to the studio months after Coltrane’s death to record Tender Moments with an expanded ensemble featuring a 6-piece horn section. For... 

Stanley Turrentine is at his blues-drenched best on Comin’ Your Way. This session from 1961 features the magnificent rhythm section of Horace Parlan on piano, George Trucker on bass and Al Harewood on drums, better known as the Horace Parlan Trio. Also featured is...