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The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.
Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.
The brawny tenor saxophonist Fred Jackson first appeared on a Blue Note record with his standout sideman performance on organist Baby...
1969’s Mother Ship, the final Blue Note album by visionary organist Larry Young, was the culmination...
One of the boldest statements in the Andrew Hill discography, 1965’s Compulsion was the pianist’s expression of the avant-garde through...
A West Coast jazz date that blows with hard bop gusto, Tenorman by The Lawrence Marable Quartet featuring James Clay was a hard-swinging session...
The Chicago-born trombonist Bennie Green made his Blue Note debut with his delightful 1958 album Back On The Scene featuring a...
Trumpeter Lee Morgan was just 19 years old and still early on in his lengthy Blue Note association when he cut his brightly swinging album...
Tenor saxophonist Hank Mobley made his first appearance on Blue Note Records in 1954 as a member of The Jazz Messengers under the leadership of...
Tyrone Washington’s 1967 debut Natural Essence introduced a vital new voice in jazz whose unique conception could move between exploratory...
Johnathan Blake’s 2021 Blue Note debut Homeward Bound was a celebration of life and legacy that introduced the drummer-composer’s masterful...
Trumpeter Donald Byrd was only 2 years into his 2 decade long Blue Note recording career when he brought his quintet into...
Brooklyn-born pianist Duke Jordan was on the front lines of the bebop revolution as a member of Charlie Parker’s quintet in the late-1940s...
Detroit-born singer Sheila Jordan moved to New York City in 1951 and became a fixture on the jazz scene, befriending Charlie Parker...
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours is a melancholy masterpiece of lost love and heartbreak...
A high-water mark of Bobby Hutcherson’s remarkably creative and diverse 1970s Blue Note output, Montara is a feel-good album that found...
The Complete Blue Note 45 Sessions of Ike Quebec collects a phenomenal body of work produced between 1959-62 by...
Recorded in 1964, Stanley Turrentine’s stellar album In Memory Of went unreleased until 1980 when producer Michael Cuscuna discovered...
Blue Note founders Alfred Lion and Francis Wolff had open ears and open minds, as they proved time and time again through the early...
A jewel of West Coast chamber jazz, this 1955 Pacific Jazz date documented drummer Chico Hamilton’s extraordinary...
Jackie McLean’s evocative 1965 album Jacknife captured the alto saxophonist in an envelope-pushing post-bop mode. The session featured two...
Horace Silver’s 1962 tour of Japan had a profound impact on the pianist who returned to the U.S. and dedicated his subsequent album...
Dexter Gordon experienced a career renaissance with his momentous comeback on Blue Note in the early 1960s which produced numerous all-time classic...
After releasing two astonishing albums of original material with his remarkable debut Fuchsia Swing Song (1964) and the follow-up Contours...
A little-known Boston-born baritone saxophonist, Serge Chaloff was one of the earliest bebop practitioners on his instrument and possessed a...
Blue Note founder Alfred Lion considered Andrew Hill to be a pianist and composer who was every bit as strikingly original and important as...
After appearing on Jackie McLean’s forwarding-thinking albums One Step Beyond and Destination… Out! in 1963, trombonist Grachan...
Leo Parker was the first baritone saxophonist on the bebop scene and gained prominence in Billy Eckstine’s band as a member of the...
Guitarist Kenny Burrell had already achieved rising star status with several stellar...
A little-known tenor saxophonist deserving of much wider recognition, Teddy Edwards made two Pacific Jazz albums including 1960’s impressive...
Recorded in Hollywood, California between two sessions in December 1956 and January 1957, Art Pepper’s Modern Art for the Intro label was...
Houston, Texas born tenor saxophonist Curtis Amy found his way to Los Angeles in the mid-1950s where he became embedded in...
Recorded in 1967 but not released until 1980 as part of the LT Series, Hank Mobley’s Third Season was a typically high-caliber late-60s hard...
The bluesy and soulful pianist Horace Parlan is perhaps best known for his work with Charles Mingus on the bassist’s seminal 1959 albums...
The Kingston, Jamaica born trumpeter Dizzy Reece moved to London at age 17 and began performing across Europe, most frequently in...
Pianist and composer Andrew Hill had already built a formidable and beguiling body of work on Blue Note by the time he recorded Grass Roots...
The Jazz Crusaders officially became The Jazz Crusaders with the release of Freedom Sound, their 1961 debut on Pacific Jazz. The...
Tenor saxophonist Hank Mobley had already been building a formidable Blue Note catalog for more than a decade when he conceived of...
In the 1960s, Blue Note’s roster of organists was second to none with leading Hammond B3 practitioners like Jimmy Smith, Big John Patton, and...
This quartet session from 1965, has long been considered one of Wayne’s finest studio albums, even though it remained unreleased until 1980. Etcetera...
The arresting 1965 session Dialogue was the debut album to be released by vibraphonist Bobby Hutcherson who had already proven himself a...
The under-recognized tenor saxophonist Clifford Jordan blew in from Chicago in 1957 and recorded a trio of excellent Blue Note sessions...
Drawn from two sessions recorded in December 1969 and December 1970, and not first released until 1995, Kofi found Donald Byrd in the early stages...
Memphis-born trumpeter Booker Little was a bright light of the jazz world who died tragically young at age 23. A prodigiously talented...
Jackie McLean’s 1962 album Let Freedom Ring reflected the change in the air of the early ‘60s: both the musical freedoms being...
Recorded in the wee hours of Good Friday 1960, this charming and impromptu Pacific Jazz session captured the easygoing alchemy...
The late-1960s and early-1970s were a wildly creative period for Bobby Hutcherson with the vibraphonist freely exploring a wide range of...
Lee Morgan’s 1968 album Taru—which wouldn’t be first released until 1980 as part of the LT Series—found the trumpeter at a crossroads exploring...
Recorded in 1956 for producer Tom Wilson’s short-lived Boston-based label Transition Records, Byrd Blows On Beacon Hill presented...
The winds of change were blowing through Wayne Shorter’s life and career in 1970. The saxophonist had just left Miles Davis’ group...
Recorded in 1956 for producer Tom Wilson’s short-lived Boston-based label Transition Records, Watkins At Large was the first of...
Kenny Dorham added stellar entries to the catalogs of Blue Note, Riverside, and New Jazz throughout the 1950s as he...
Recorded in 1955 for producer Tom Wilson’s short-lived Boston-based label Transition Records, Byrd’s Eye View was trumpeter Donald...
Vibraphonist Bobby Hutcherson was a defining feature of the sound of Blue Note Records throughout the 1960s, equally at home in...
The Saxophone Colossus Sonny Rollins had already recorded three Blue Note studio dates for Alfred Lion—Sonny Rollins, Sonny...
Taylor on bass, and Roy Brooks on drums. The core of the band had been together since 1959 and recorded hard bop classics like Finger...
The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark...
Alto saxophonist Jackie McLean’s 1960s output ran the gamut from hard bop to the avant-garde with his 1964 post-bop dates It’s Time! and...
Following sideman appearances with pianist Horace Parlan in the early 1960s, Booker Ervin cut two stellar Blue Note records as a...
Miami-born trumpeter Blue Mitchell had a soulful, swinging style that was equally at home in jazz, R&B, and funk settings. Mitchell been...
The acclaimed Cleveland-born saxophonist Joe Lovano came to Blue Note Records in 1990 and over the next 25 years became...
After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building...